The Force of Secrecy: Spoilers, Neo-Liberalism, and “The Force Awakens”

star-wars-force-awakens-spoilersIn his commentary on Euclid’s elements (roughly 320 CE), Pappus of Alexandria recounts the strange case of a Pythagorean who was drowned for what amounts to giving a spoiler. It was said that a wayward mathematician of the Pythagorean society shared the Pythagoreans’ most important and secret teaching – that there was such a thing as irrational numbers (like the square root of two) – and paid for the revelation of this confidence with his life.[i] Similarly, in Japan the punctuation used in the Confucian Classics was treated as a form of secret lore, and the Kiyohara and Nakahara noble families guarded closely their readings of the texts for hundreds of years. In so doing, they accrued a prestige nearly equivalent to being the descendants of Confucius. In 1599 Fujiwara Seika exposed this secret for the first time and freely taught his contemporaries the key to the texts. In his case the effect was almost the reverse of that of the unfortunate Pythagorean. Fujiwara wasn’t murdered, but by giving spoilers he effectively cheapened the original secret. After the secret of how to parse the sentences of The Analects was widely known, it became a matter of mere triviality, thereby dooming the formerly prestigious secret tradition to irrelevance and obscurity.[ii]

Nor are these the only examples of societies rooted in secrecy. One can think of numerous groups – from Scientologists to Freemasons to various criminal societies – that build their social cohesion around a shared secret and which have historically threatened punishment for those who disclose these secrets to the world at large.

Although by no means as serious, contemporary Anglophone culture seems to be somewhat united around a prohibition concerning spoilers to “The Force Awakens” (Star Wars Episode VII) with fans texting what are probably joke death threats to those who break this particular covenant without warning. I saw the movie on Friday, and these are my first impressions. They amount to trying my hand at assessing the film’s marketing campaign, and particular the contradictions of its anti-spoiler component.

Please follow me across the fold for some spoilers… more importantly, I’ll be using the sociologist Georg Simmel as a stepping off point to talk about the secrecy/spoilers in global marketing and to assess the film’s implicit politics. Again: WARNING, THERE ARE SPOILERS. Read only if you have been initiated into this secret society or if you think its holy secret is (blasphemy!) trivial.

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