[Opening Parenthetical: There were no entries on this blog in 2016 and readers may imagine that I’ve gone into hibernation. But 2016 was a crazy year both professionally and personally. Much of my time was spent finishing my new book, The Myth of Disenchantment, forthcoming May 2017 (order on Amazon here). The energy I usually reserve for blogging was mostly spent on Facebook posting about the shit-show that was the 2016 US election. On a personal note there were a few too many deaths and political disasters last year, but the shining ray of light in the dark-cloud of 2016 was my marriage to the ever-delightful Dalena Storm.
In the process of finalizing the book, I had to do a lot of trimming and one of the things left on the cutting room floor was a short section about the connection between the Vienna Circle of Logical Positivism (or Logical Empiricism) and the artistic movement known as “magical realism.” The connection is interesting, but much less robust than the link between famous Positivists, magic, and paranormal research that takes up the chapter. Still I figured some readers might find it interesting as an oddity in the history of philosophy. So it is reproduced here as a small research note.]
[Note: I imagined a weeklong gap between posts, but the work of chairing a department and writing a book got in the way. Sorry. Now that the academic year is over, I’m back at it. To get unblocked and back to blogging, I had to remind myself that I didn’t want these to be a series of articles, but more like a set of quick thoughts/unpolished first drafts. Also, I had originally planned a two-part blog-post about the persistence of utopia, but I was struck by responses to the last entry that challenged the idea that we would want to move beyond contemporary capitalism. So, I want to tarry in dystopian-darkness before returning to utopia.]
My main objective in this series of posts is to overturn this line of argumentation by uncovering seeds of utopia and tracing alternatives to modern capitalism. But first I want to go in the opposite direction by painting a pessimistic picture of the contemporary capitalist world order. If you are already up on the case against global corporate capitalism you can wait a month or two for a later utopian post. But if you want to understand the contemporary allure of dystopia then read on.
Before settling down to business I want to mention the standardcritiques of capitalism – corporate neo-feudalism and increasing wealth inequality; never-ending cutthroat competition; the violence of economic imperialism and oppression; capital’s ability to subvert democracy; money’s role in mediating and cheapening our most personal relationships; the alienation resulting from a life of repetitive specialized labor; the inherent psychological instability resulting from the inevitable boom and bust cycles of the marketplace; and so on. As descriptions of the current-world system these are all fair, but they won’t really connect for many readers and will instead appear to be nothing more than empty abstractions. In the posts that follow, I want to see if the horrors of the current capitalist world-system can be distilled into apprehensible images – like a world reflected in a dewdrop. Restated, I’m looking for concrete symbols by which we can begin to grasp the dystopian inherent in the totality of the current-world system.
Over the next three posts (which starting June 16 I hope to post every other week on Mondays or Tuesdays )—I’ll confront the Janus face of contemporary global capitalism (including both corporate dystopia and the dreams of anti-capitalist utopia frozen in capitalist structures), I’ll explore technological junkyards, I’ll ask what Conrad’s Heart of Darkness can tell us about Marx’s concept of commodity fetishism, and I’ll excavate Post-Fordist nightmares about flexible labor, automation, unemployment, and the loss of sleep. Then I’ll return to the deferred issue of contemporary utopia.