
Otto Dix “The Seven Deadly Sins” 1933- crop
[Opening Parenthetical: There were no entries on this blog in 2016 and readers may imagine that I’ve gone into hibernation. But 2016 was a crazy year both professionally and personally. Much of my time was spent finishing my new book, The Myth of Disenchantment, forthcoming May 2017 (order on Amazon here). The energy I usually reserve for blogging was mostly spent on Facebook posting about the shit-show that was the 2016 US election. On a personal note there were a few too many deaths and political disasters last year, but the shining ray of light in the dark-cloud of 2016 was my marriage to the ever-delightful Dalena Storm.
In the process of finalizing the book, I had to do a lot of trimming and one of the things left on the cutting room floor was a short section about the connection between the Vienna Circle of Logical Positivism (or Logical Empiricism) and the artistic movement known as “magical realism.” The connection is interesting, but much less robust than the link between famous Positivists, magic, and paranormal research that takes up the chapter. Still I figured some readers might find it interesting as an oddity in the history of philosophy. So it is reproduced here as a small research note.]
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